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Tuesday, January 16, 2007
I've been a Death Cab For Cutie fan for far too long to do something as silly as hold their increased popularity and major label success against 'em. Sure, in my college radio days I'd left certain bands behind under similar circumstances, but the difference was usually that their studio output lost something in the transition. It was more rewarding to find new, exciting artists that deserved airplay than to try and find something worthwhile on lesser albums by bigger bands. But with DCFC, it's different, and I'm along for the ride as long as they keep writing and releasing good songs on solid discs like 2005's "Plans". Sure, there are a couple tracks on there that don't do it for me, but that's been the case with each album since their debut, and they're offset by a song like "What Sarah Said", which is one of the most moving ones they've ever recorded. But my appreciation for the band was put to the test in November when they played the gorgeous Boston Opera House on guitarist Chris Walla's birthday. It had been a few years since I'd seen DCFC, shunning the larger venues and higher tickets prices as I'm prone to do, but the lure of an opening set by Ted Leo & his Pharmacists was enough to get me buying good seats the day they went on sale. I'd been pretty much blown away when I saw Sigur Ros at the Opera House a year before, but they (and their fans) are entirely different beasts. When Death Cab's set started with "405", and the more enthusiastic fans stood up despite the mellowness of that opener, Ben Gibbard didn't wait long before encouraging the rest of the crowd to get up out of their seats for the "rock show at the opera house". And while most of the audience was clearly excited throughout the show (predictably cheering louder for the newer songs), and the band was obviously into their playing and grateful for the crowd, there was just something missing for me. Even though I liked the set, the song selection, and the band's energy, I felt this odd disconnection from the proceedings, like I was watching a television broadcast of a show instead of an actual show. Maybe it couldn't be helped, considering the small spaces I'd seen them play in previously. Maybe it's just age, what with the overall lowering of their fans' average age, and given that some of the uber-appreciative kids near me (loudly singing, clapping along to entire songs) could possibly have been my illegitimate high school spawn. Could be that my days of seeing DCFC live are better left behind me. But their albums? If they keep making 'em, I'll keep buying 'em. Here's my recording of that set, from November 2nd, 2006 at the Boston Opera House. And for the curious, DCFC is fortunately one of those bands who are completely cool with live recordings. They understand.  Death Cab For Cutie Live at The Boston Opera House in Boston, Massachusetts on Thursday, November 2nd, 2006 01. 405 02. Your Heart Is An Empty Room 03. The New Year 04. We Laugh Indoors 05. Crooked Teeth 06. Title and Registration 07. Lightness 08. President of What? 09. Photobooth 10. A Movie Script Ending 11. Company Calls 12. What Sarah Said 13. I Will Follow You Into the Dark 14. Soul Meets Body 15. We Looked Like Giants 16. Transatlanticism encore... 17. Happy Birthday Chris Walla 18. Marching Bands of Manhattan 19. Expo '86 20. The Sound of Settling  Some DCFC links...
 the fine print... If anyone has an issue with this live set being made available, just say the word (contact info in the 'nac faq). Recorded with a Sony ECM-719 mic and a Sony MZ-RH10 minidisc, converted to .wav and then edited to 192kbps mp3s. Mp3s are made available for a limited time, and are not reposted once removed. Labels: livemp3s  |
 neil halstead live in cambridge, ma on november 14th, 2008 previously: joy formidable - boston 2011 recent posts on the 'nac...
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